#the emotions in this comic so raw

[somsonsomsoff]

headcanons for the employers have somehow turned into a crossover with de skills

[betterthanbatman1]

​He looks like the shell of the man he used to be

Look at his eyes. They’re completely empty. They’re not like how one would describe ‘cold, dead eyes’. No, they’re eyes devoid of life. It’s so much more than just eyes that are ‘empty and emotionless’. Every single detail on his body shows just how much emotion and turmoil this boy has been through.

Those eyes are hollow because everything he’s been through has ripped his soul-the the very essence of himself- away. The eyes aren’t completely blank, so it’s more than just emptiness. The irises were sketched but still lack colour. His eyes have been washed out not erased. It truly captures the pain he’s in and has been through.

They say ‘Eyes are the windows to the soul’. His soul has been through so much for his eyes to reflect that so painfully.

[ultrabananapudding]

With this one simple trick, you too can snap out of a crying fit !

[icewindandboringhorror]

waow.. found a Beautiful Orb at the store today (giant ferrero rocher). I don't even want to crack into it and eat it.. I just want to hold it.. rotate it in my palm thoughtfully like I am an evil wizard who has just been delivered a Very Plot Significant magical gem and is scheming how to use it 

[tender-rosiey]

yoo rose I started following you a little while ago and I really liked you. I saw that your requests are open and I would like to ask for a scenario where Nanami arrives drunk and his wife takes care of him while he talks about how he loves her I liked all your stories with my businessman <3

unsteady love — nanami kento x f!reader

a/n: so glad that you do, love! <33 hope you like this one too 🫶🫶

kento stumbles slightly into your house, catching himself against the wall before you steady him, “kento… you’re drunk.”

he blinks down at you, the usually serious expression on his face replaced by something softer, more relaxed. there’s a faint flush coloring his cheeks, and he lets out a low, rumbling chuckle.

“I am not drunk,” he declares, his voice slurred just enough to betray him. “I’m... just—” he waves his hand vaguely in the air, searching for the right word. “...enlightened.”

you suppress a smile and guide him to the couch, sitting him down gently. “sure, ‘enlightened.’” you shake your head, amused. “stay put, I’ll get you some water.”

as you move to the kitchen, you hear him muttering to himself. “can’t believe I’m drunk,” he grumbles, almost like he’s scolding himself, “what kind of a husband does that?”

when you return, cup in hand, he’s sitting with his head leaned back against the couch, his eyes half-closed. but when you approach, he perks up immediately, watching you with a soft, slightly dazed look.

“you’re so beautiful,” he says. his voice is quieter, more sincere, and it catches you off guard for a second. nanami isn’t exactly shy about how he feels, but this is a side of him you don’t see often.

“drink,” you instruct, handing him the water to avoid the sudden rush of emotions his words bring. he takes the glass without complaint, but even as he drinks, his eyes never leave you.

after a few sips, he sets the glass down on the table and leans back again, sighing contentedly. “you take such good care of me,” he says softly, almost to himself, “I don’t deserve you.”

you chuckle at the sudden sentimental turn. “kento, you’re acting like I’ve just saved your life. you had a few drinks. you will be okay.”

he shakes his head, looking at you with those hazy, half-lidded eyes. “it is serious. you’re always here for me. always... my constant. my…” he trails off, struggling for the right words in his drunken haze, “you make everything better. I love you.”

his words are raw, unfiltered by the usual restraint he keeps on his emotions. there’s a vulnerability in the way he says it that makes your heart tighten.

“I love you too,” you reply, brushing a strand of hair from his forehead. “now, let’s get you cleaned up.”

but before you can pull away, he grabs your wrist gently, pulling you closer. “no, you don’t get it.” he’s more insistent now, his eyes fixed on yours with an intensity that’s surprising given his state. “I really love you. I think about it all the time, all—the time.”

you laugh softly, though his words tug at something deep inside you. “you can tell me all about it when you’re sober.”

he doesn’t let go, though, his grip still gentle but firm. “I mean it. you make the worst days worth it. you... you’re everything.”

a soft laugh escapes you, touched by his sincerity but also aware of how much the alcohol is loosening his tongue. “I know, kento. you’ve told me before.”

nanami pouts—a rare expression that looks so out of place on his usually stoic face. “but I don’t say it enough. you deserve to hear it.”

he blinks sloppily as he stares at you before murmuring, "I need to marry you."

you let out a soft laugh and kiss his cheek, "we are married, you silly man."

in a once in a lifetime incident, your husband stares at you, eyes wide, face reddening by the second. he looks down at his feet for a few moments, then you see him hum, "that's nice."

his seriousness is almost comical given the state he’s in, and you can’t help but tease him a little. “y'know, you’re awfully chatty for someone who insisted they weren’t drunk.”

he lets out a sigh, leaning his head back again and releasing your wrist, “fine, fine. maybe I’m a little drunk. but it doesn’t change the fact that I—”

before he can finish, he shifts too quickly and almost topples off the couch. you rush to catch him, but you fall with him, and he blinks, disoriented, before breaking into a lopsided smile. “maybe a lot drunk.”

“yeah, maybe,” you say with a laugh, helping him sit back up. “come on, let’s get you to bed.”

as you help him to his feet, he leans heavily against you, his arm draped over your shoulder. you guide him down the hallway, his weight familiar but the situation still amusingly foreign.

normally, he’s the one doing the taking care of—you can’t help but relish this rare moment where the roles are reversed.

once you’ve managed to get him into bed, he pulls you down next to him, refusing to let go of your hand. his eyes, though heavy with sleep, remain fixed on you with that same soft, adoring look.

“you’re the best thing that ever happened to me,” he mumbles, his voice thick with exhaustion and sincerity, “we have to go to malaysia together.”

“sure,” you smile, brushing your fingers through his hair as his eyes finally flutter shut. “goodnight, kento.”

just as you’re about to pull away, his hand tightens around yours once more, and he whispers, half-asleep, “I love you.”

his words are softer now, less dramatic than before but still brimming with emotion.

you watch him for a moment, his features relaxed in the dim light, and feel a warmth spread through your chest. this side of him—unguarded, affectionate, and a little silly—is one you cherish just as much as his usual seriousness.

as he drifts off, you press a gentle kiss to his forehead, letting his words linger in the air, “I love you too.”

taglist: @magenta-cat-drawingss@pompompurin1028@scul-pted@requiem626k@nameless-shrimp@sonder-paradise@jessbeinme15s-notebook @todorokichills @ginneko @missrown @shrynkk @simplyxsinned @beautiful-is-boring @starlostlaiba @izukus-gf @irethepotato @thekaylahub @dazaisbloodybandages @aeanya @sweetcloudsimp @moon-catto @the-midnightskies@pianopuppygirl @gojosblackqueen @kryscent @kunikida-simp @whoami-72 @mx-0-child @fiona782 @kisakitwister @imjustasimpxd @psychopotatomeme @dreamcastgirl99 @watyousayin @doobiebochana @laylasbunbunny @hojicha-expresso @4sat0ruu @nineooooo @chuuyasboots @alekssashka7 @rieejjyubi02 @satoryaa @nothisispatrick300 @fallencrescentmoon @etheviese @ho34gojo @the-mom-friend-dot-com @the-weeping-author

@libbyistired @anon1412@maehemthemisfit @satorustar @b4nka1@sad-darksoul@ko-fi-heart@pumpkindudeishere@suyaaachin@babyqueen17@chaosguy352@murakami-kotone@sukun4ryomen@yumieis@hearts4itoshi@sleepyxxhead@dunixxd@sleepycrybbylaiah @imjustaduckwholikesbread @emilyyyy-08@spacebaby1@arabellatreaty@viscade @washeduphasbeen @janbannan @sugurubabe @enidths @mwtsxri @peppersapro @uranosbaaee @lifeisadumpie @guacam011y @kurooandkenmasslut @callmemirro @your-sleeparalysisdem0n @dindjarins1ut @candy-s72

copyright © tender-rosiey

do not copy or plagiarize

check out my buy me a coffee!

[r3starttt]

okay okay!! how about reader gets back late from patrol (so tlou au) and ellie was all worried and it’s super cute and fluffy?? (change it to your preferences if you like :)

THESE WALLS

PAIRING: Jackson! Ellie x reader

CW: fluff. outbreak|tlou universe. brief-non detailed mention of overwhelming thoughts such as fear of loosing loved ones and stress.

DON'T BUY TLOU | PALESTINE MP PALESTINE LINKS | DAILY CLICK

TAGLIST

The night lay thick with a stillness so profound that even the faintest sound seemed to echo with unsettling clarity. Ellie, trapped in the small sanctuary she had carefully curated, paced restlessly. Her gaze was perpetually drawn to the door, its unyielding silence a stark contrast to the usual rhythm of your return. Each passing moment stretched infinitely, laden with a tension that seemed to deepen with every tick of the clock.

The dim glow of a solitary lamp cast a soft, golden haze over the room. Walls adorned with wooden murals and comic book covers. Delicate strands of Christmas lights wove their way across the space, their faint twinkle casting a gentle, warm light. Yet, despite the serene ambiance, Ellie’s heart was a storm of unease.

She attempted to distract herself, but the mundane details of her surroundings blurred into an indistinguishable haze. Every action seemed to drift by in slow motion, her frustration mounting with each fruitless effort to quell her growing anxiety. She knew in her rational mind that the patrol was fraught with danger, but her deep-seated fear of losing those she loved clung stubbornly to her thoughts.

The creak of the door shattered the quiet, sending Ellie’s heart leaping to her throat. She dashed to the entrance, the door swinging open to reveal you, looking slightly disheveled but otherwise unharmed. Relief surged through her, though it was quickly overwhelmed by a tidal wave of emotions.

As you stepped into the room, the scene before you was both touching and a little comical. Ellie’s usual dorky charm had been replaced by a palpable anxiety. The carefully decorated room, filled with her beloved nerdy trinkets, faded into the background as your focus honed in on her distressed face.

“Hey, sorry,” you said, offering a weary smile. The concern in her eyes was evident, and you could tell she had been struggling.

“We ran into a few more infected than we expected. It took longer to clear them out,” you explained, trying to reassure her.

Ellie’s response was sharp, but it was laced with an undertone of deep-seated worry. “I was starting to think… I don’t know, shit had happened.” Her eyes, usually so full of mischief and laughter, were now wide and brimming with concern.

You stepped closer, the old floorboards creaking softly beneath your feet. Her fingers drummed impatiently against her thighs, her gaze darting over you in a frantic search for any signs of injury.

Ellie let out a deep sigh, rubbing her temples as though trying to ward off a headache. “It’s not just about being late. It’s about you being safe.” Her voice faltered, and she turned away momentarily, struggling to regain her composure.

You reached for her hand, gently enveloping it in your own. “I’m here, Ellie. Safe and sound. Nothing is going to happen to me.”

Her eyes met yours once more, shimmering with a blend of relief and lingering anxiety. “I know, but it doesn’t make it any easier—never mind,” she murmured, her words softening as the harsh edge gave way to a tender vulnerability. Her usual playful demeanor was momentarily eclipsed by her raw, heartfelt fear.

Drawing her into a tight embrace, you felt her tense muscles slowly unwind against you. “I’m here,” you whispered into her ear, your voice a soothing balm to her frayed nerves. “And I’m not going anywhere.”

You gently cupped her face in your hands, pressing a soft, loving kiss to her lips. When you finally pulled away, a small, contented smile graced her face, her eyes reflecting the warmth of your affection.

“Hey…” you murmured, leaning in closer. “How bad do I smell?” You playfully nuzzled against her, inhaling her comforting scent, the familiar fragrance and the fabric of her hoodie enveloping you in warmth.

Ellie chuckled, a soft hum escaping her as she considered your question. “Baby diapers," your quiet laughs mingling.

Your lips beushed over hers, one last tender kiss on her lips, savoring the moment. “I love you."

“I love you too,” you replied, brushing a stray lock of hair from her face. “And I’ll always come back to you.”

[sainzsiren]

HOW THEY SAY SORRY

featuring: oscar, lando, daniel, max, carlos, ollie

cw: descriptions of sex, angst

ᡣ𐭩 oscar piastri...

oscar tried to give you space but eventually couldn't take it anymore. he quietly padded through the hallway to your shared bedroom, and his heart broke when he pressed his ear up against the door and heard you crying. he knew it was his fault, that he snapped and was too harsh. he slowly opened the door and called your name. upon seeing you, looking so deflated, his heart broke. all you wanted in that moment was to be held, and he could sense that. he kept you close to him, his hand lightly holding your face into his neck. you felt him press soft kisses to your hairline and heard him mumble a million apologies until your sobs died down. when you finally pulled away to look at him, you saw his own tears and he gave you a final apology, this one stronger and more raw.

ᡣ𐭩 lando norris...

lando has never been in tune with his emotions. that night in particular, he was angry. so, so angry. he wasn't angry at you, but it sure seemed like it as he screamed about all the things he wished you'd done differently that day. you start to cry and he realizes what he's done, but simply walks away. he left for a little bit, driving through monaco and thinking. when he gets back, he finds you cooking dinner. just like he had barked at you to do. he walked up behind you and slowly pulled you into his arms. his heart shattered when you flinched at his touch. he tells you he knows he was out of line, that he wasn't angry with you, and that he understands if you can't forgive him right now. he sat across from you timidly at dinner, what a contrast from what you had experienced an hour ago. you wanted to forgive him so desperately, but needed more time. lando sat next to you while you watched your favorite show, and apologized one more time before you went to get ready for bed. he settled down next to you and almost died of happiness when you reached for him. he uttered one last apology, this time with forgiveness from the other side.

ᡣ𐭩 daniel ricciardo...

daniel doesn't screw up often, and that almost makes it more painful when he does. he is the quickest to realize the impact of his actions, immediately wishing he could eat his words. right after, he froze for a second. as soon as he regained thought, he walked towards you and pulled you into a hug. arms around your waist, his chin on top of your head. "i'm so sorry, my love," he whispered into your hair. daniel is easy to forgive because you can tell how genuine he is. he has the emotional intelligence to be able to identify his mistakes, fix them, and then be able to salvage the evening. he makes dinner and you two ate happily together. to finish off the night, he fucked you soft and sweet, whispering dirty yet loving things into your ear.

ᡣ𐭩 max verstappen...

max had a hard time growing up. everyone knows that, but especially you. sometimes the stress of everything gets too much and he just breaks. unfortunately, sometimes he also ends up hurting his favorite person in the world. if you waited long enough max would go and apologize, but it works better if you go to him. you didn't say anything, instead opting to quietly approach him on the couch and snuggle up to him. you could feel him relax the second your body touches his. "i'm so sorry. that wasn't fair to you," he murmured into your hair as he gave your hand a gentle squeeze. it took time to get to this stage in your relationship, but now max can talk things out with you. not yell, talk. talk with undertones of understanding, compassion, and love. he must have told you he loved you a million times while you sat there together, and he would tell you a million more times to get you to believe it.

ᡣ𐭩 carlos sainz...

you had already moved to your bedroom, seeking the comfort of silence, but carlos was still standing in the kitchen. the look on his face was comically priceless. you could see the wheels turning as he realized how badly he had fucked up. the second he snapped out of it, he chased you down the hallway and opened the door as fast as he could. he knelt down on the ground and took your hands in his as you sat on the edge of the bed. you were crying, and he hated himself for being the reason. he knows there is no excuse and told you so, but still explained what's been going on with him. after he apologized one last time, he asked if the two of you were ok. the second you nodded your head, he got up and walked took you into his arms, holding you there in fear of you slipping through his fingers. he would die if he ever lost you.

ᡣ𐭩 ollie bearman...

ollie is the sweetest boyfriend ever. there has never been any yelling for him to apologize for. however with the new steps in his career, he is spending a lot of time away from home, and away from you. that night he had gotten home from a huge weekend. he greeted you with a sweet kiss and then pulled you in for a hug and just held you there for a little bit. to his absolute horror, you started to cry. "no, no it's okay. what's wrong, baby?" his sweet tone made you nauseous, because while he had done nothing technically wrong, you had felt abandoned and been imagining his return for what felt like forever. and now you were crying instead of eating the dinner you had made. he lead you to the couch and continued to hold you, patiently waiting for you to explain why you were so upset. when you told him, you could see the pain on his face. "oh, baby, i'm so sorry," he rushed to say. he knew exactly what to say after that. exactly what to promise and plan. he didn't you let go for the rest of the night unless absolutely necessary, going as far as to rest his chin on your shoulder while you got ready for bed. you both slept like babies that night because you were finally back together. the best part? you wouldn't be spending so much time alone in the future.

[aveloka-draws]

I am insane about literally all of your character interpratations. I see you post a comic and I explode they're always so so so good, I love how your lines look, I love how you do expressions I love how raw the emotions feel on the characters- literally all of your characters are amazing! All of them! Anyways your one of my favorite cotl artists just wanted to let you know, have a good day/night

Aw thank you so much!✨✨

[xoxonxo]

i don’t think we talk about how good kit connor and joe locke did portraying their characters this season.

joe locke did a PHENOMENAL job portraying a teen who just wants to be be normal— even if he didn’t want help in the beginning. he does such a good job showing charlie’s growth and his want to be treated normally by everyone around them, regardless of how how bad their mental health is. he doesn’t try to be “weak” or “fragile”, he just needs help. he gets angry when people tried to help him because he’s angry at himself, he doesn’t want to be treated like a baby. joe did so good in being able to show all of those emotions, it felt REAL, RAW, and not rehearsed.

kit connor did everything they didn’t do in the comics for nick. i remember when i first read the comics i was surprised they didn’t talk more about the mental capacity nick had to have for charlie, while no one had that for him. kit connor really showed how hard it is to have someone you love get hurt and “feeling responsible” for it. that was SO much on nick and im so glad they expanded on it this season. again, it felt real.

teenagers aren’t sophisticated. they’re messy, petty, opinionated, confused, and have so many feelings all at once.

i think that kit and joe did a beautiful job and i really hope they get at least an award or two out of this.

[signanothername]

saw your recent post about Nightmare's room for Dream, and it reminded me of a fic, where due to Dream still physically and mentally being 6 in the stone, Nightmare was preparing for what to do now as the 'older brother'

which made me wonder

I'm betting Ink or someone from the Omega Timeline found Dream first when he was freed from the statue

What would've happened had it been Nightmare? When faced with this small six year old who is nothing like he remembers, would Nightmare's true self and corruption be mentally first fighting on what the hell to do?(The mental image of this is a bit comical)

Aw that’s adorable dhhxhxhxh

So funny enough, I kinda already made 2 comics that explored what Nightmare’s reaction will be to a small 6 y/o Dream before, just under completely different circumstances

But here’s the thing, while i have explained before how Nightmare’s corruption works in my eyes, I don’t think I was really clear in my explanations, so I’m taking your ask as an excuse to explain it better >:) (i’ll get back to your main question I promise hdhdhdh i just wanna help you connect some dots when it comes to Nightmare’s behavior)

So something to keep in mind is how Nightmare’s mind isn’t truly strong enough to fight off his corruption/corrupted thoughts from controlling him and guiding his actions, and while Nightmare is in absolute control of his mind, his corruption has shaped it in its own twisted way, that’s why he’s an absolute fucking bitch, that’s why Nightmare can be extremely cruel to those around him

Think of his corruption as a parasite, it feeds off Nightmare’s own pain and in turn it’s what makes Nightmare feel that pain (and his own emotions) magnified times a thousand

So when say a normal person who isn’t corrupted feels anger for example, they would feel that anger through stages from it being a mere mild frustration that turns to anger and then full blown rage (depending on the situation of course), but even then a normal person would be able to control that frustration so it doesn’t escalate to anger and in turn never turns to rage, or even if this person were to immediately jump to rage, then they’ll be able to calm themselves down by venting that anger a bit

Nightmare on the other hand,

A- doesn’t go through those stages for his emotions, he immediately experiences the most intense form of them

and

B- those feelings never go away, they linger and fester inside him like an infestation as it is what his own corruption feeds on

He feels angry? That anger is a full blown rage inside him, he feels sad? That’s crushing depression for him, he feels hate? That hate is nothing but raw loathing for everyone and everything around him, he feels fear? It’s fucking paralyzing to the point Nightmare seeks power so he won’t have to feel afraid, he feels happy? It’s tainted by his now sadistic behavior as Nightmare finds sick satisfaction and glee in hurting those around him

Of course, how he deals with that changes as he grows and learns and adapts, so such emotional intensity/ instability is extremely apparent on him as a newly corrupted 6 y/o who feels all alone and lost in the world while it shapes his personality and who he becomes as an adult with a lot more control over his actions/reactions (corruption + bad experiences that shapes his mind = Mean Girl Bitchmare)

What I’m trying to say is that his corruption contributes to his emotional instability, and that corruption knows what to feed on exactly, it makes it so Nightmare feels dependent on negativity so he won’t have to experience what it’s like to feel powerless again, it feeds on his fear, pain, anger, hatred and it extends to Nightmare’s sadistic cruel actions that in turn brings more negativity, which in turn makes him stronger and by extension the corruption stronger which contributes to magnifying his emotions even more, which leads to more cruelty and so on, it’s a never ending torturous cycle that no one is aware Nightmare’s in.. including Nightmare himself, Nightmare is as much of a victim to his corruption as those poor souls who have to deal with Nightmare cause of it

The corruption magnifies Nightmare’s emotions too much for his mind to even be able to process them let alone regulate them, (and Nightmare already has problems understanding his own emotions to begin with) and in turn that corruption only got to his mind as well

Imagine it this way, Nightmare’s mind is plagued by his now corrupted thoughts, he can’t truly think clearly through the thick suffocating corruption, trauma, and horrifying experience in his first 500 years of corruption, it’s like looking through a broken mirror, the pieces of the mirror are still there, and they still show his reflection, but they’re too distorted and messy to form a clean and clear reflection, Nightmare looks at himself in that mirror, but all he sees is scattered pieces of who he used to be (he can no loger recognize his reflection) and so as Nightmare keeps trying to put the pieces back together, it’s more and more clear that not only do they now show the reflection of he used to be, but also who’d he become, the shattered mirror pieces reflect both his corrupted and passive self in a distorted messy way (that’s who Nightmare is now)

Ok if that’s the case, how come Nightmare has kind moments that contradicts his own corrupted state of being? Cause despite his corruption, he’s still Nightmare, I can never emphasize that enough

Despite the cycle he’s in, despite the state of those shattered pieces of who he used to be, those pieces that has his passive self STILL EXIST alongside his corrupted pieces, Nightmare’s own mind, thoughts, emotions and identity beyond that corruption still linger inside him, even if if in a sort of a limbo state

Ok with that all in mind, what the fuck does that have to do with a 6 y/o Dream? Everything

Just like I showed in the comic before, Nightmare would be too blinded by his own pain and hatred (that’s magnified by his corruption) to actually slow down and realize that Dream is 1- literally still a 6 y/o in mental and physical capacity, and 2- is just as in much pain and with such as much trauma as he is

Nightmare hates Dream with a passion

But the thing is, as I showed in this comic here, apart of Nightmare still deeply cares about Dream, even when Nightmare’s in absolute denial about it, I dare say Nightmare doesn’t even realize how much that lil part of him cares

And that would reflect on how he deals with Dream, Nightmare would be conflicted alright, but his corruption would win first and foremost and as such, he’ll deal with Dream with cruelty (that he later realizes was a mistake)

I will not lie, I’ve yet to decide on what I love to think happened to Dream as a statue, but allow me to say that it’s one of 4 options, I like to believe it’s either

A- Nightmare kept him in Dreamtale beside the corpse of their mother

B- took Dream with him to his own castle where he kept him in a safe space

C- left him in a remote part of the multiverse in an empty universe devoid of life (which later got populated)

D- a combination between A and B and C in a linear timeline (i think option D is my fave so far, but I haven’t made a final decision yet :’D)

That being said, the moment Dream breaks out his stone prison, I believe Dream would be too confused and scared to understand what’s going on, hell, would probably think the Apple incident happened just yesterday, not that 500 years passed (you can imagine Dream’s shock later) only to start frantically searching for Nightmare and when he does find his twin? Nightmare doesn’t look like Nightmare anymore, where’s his golden crown? Where’s his tunic? Why is he so much taller? So many questions, and Nightmare’s not in the mood to answer

Nightmare would definitely be shocked to see Dream out of his prison, a big part of him hates that Dream escaped it, Dream doesn’t deserve to be free, another part of him (the one that cares) is relieved cause turning him to stone was never the plan, and then the more dangerous corrupted part of him is sadistically gleeful, he could finally get a proper payback and to have the golden apple from such a weak, small and helpless child

Dream would start talking about how he wants Nightmare back and you can imagine how pissed Nightmare would be at Dream’s daring audacity to bring up the apple incident

Their first interaction after Dream is finally freed is not at all pleasant (the fact Dream is still a 6 y/o physically and mentally doesn’t deter Nightmare’s cruelty)

Nightmare eventually realizes he should’ve been a lot more merciful on his twin when he first broke out his prison, yet that sadistic gleeful part of him can never be quelled (unbeknownst to Nightmare that the glee he feels at Dream’s misfortune is just his trauma shaped in a twisted manner due to his corruption, he feels like Dream hadn’t suffered like he had, so Nightmare will make Dream suffer himself)

And the rest is (kinda) history :)

[istormortis]

Kindof went ham on him but he's one of the main characters of the AU so why not :3c So went down the rabbit hole with this one and pulled my inspiration from a couple of sources, mainly from two artists on twitter that I stumbled across and wanted to expand on it further plus the original story for Obanai in KNY.

Initial design is based off of the first halloween set with Obanai and the large cobra art (2019/2020 set?) - my style is going in twenty directions and I am sorry orz

SHINOBU | TENGEN | KYOJURO | MITSURI | SANEMI | GIYUU MORE UNDER CUT~

Obanai was living his life easily as a snake demon, usually in the noodle form or a humanoid appearance until humans had seen him and thought he was some poor soul that was possessed so they tried to do an exorcism on him to rid of the demon in him. Unfortunately due to their limited knowledge they were unsuccessful and instead fractured his soul into two, leaving a raw side of him and the side that is often presented. At night he is cursed with Ianabi's presence, which emerges from his back. At first Ianabi retained a snake form but overtime his ire/anger towards people has grown and he's formed a human version of himself (hence why he's similar to what he looked like as a child + snake demon woman his family worshiped in the orig. story). He cannot move far from Obanai's body and at most is stuck in a room with him due to that he's a danger to other people and most importantly himself (whatever happens to one happens to the other).

When Ianabi (name given to by Kyojuro, Obanai backwards but with an 'i' instead of 'o') emerges, the color fades from Obanai's body and shifts to the other which often leaves him white haired and teal-eyed. Kyojuro and the others have tried to help, but Obanai has accepted that he's forever cursed until he's run into Mitsuri who wants to try and help them. She tries to be friendly to Ianabi but due to Obanai's general distrust and raw emotion its making it difficult for Mitsuri to win Ianabi /Obanai over though she is have much better luck than the others.

During the day while its Obanai, he is less likely to have moments of raw emotion/reactions but it can happen when he looses his temper and at times can lash out. When at night and the two parts of his soul are separated he's reserved and quiet, hiding away while Ianabi acts as a guard until morning. Tl;DR - Ianabi is a physical manifestation of Obanai's distrust and anger towards life and people. It's his ugly side that would be a metaphor but has become a physical representation of himself that slowly grows stronger the longer his soul remains broken.

For the artist credits there's two! hotlemon17 - for they were the ones that did the white haired Obanai and I was like!! YES he looks nice with white hair so I wanted to draw him with that gogo_washiya - For their comic that had Obanai and Mitsuri meeting, and at night is when the giant snake on his back emerges and I really liked that idea so that was the spur of inspiration for this portrayal

[starlight-incarnate]

House of Feänor as Aesthetics:

Fëanor  —  loud voice, commanding presence, analytical, natural leader, piercing eyes, foggy hillsides, black boots, tipping their head back to breathe the air, mirrored lakes and everything below the surface, tearing leaves from trees, blunt sarcasm, long dark hair, deep sleeper, rotting tree stumps, black leather jacket, songs that makes you want to create a storm, rebellious, ambition, unstoppable passion, fast trains, polaroids, empty castles.

Maedhros — walking silently, stronger due to all the stuff meant to kill them, ignoring their mental health issues, fiery red hair, crumbling marble, oversized hoodies, raw voice, lingering touches, faint music in the distance, calming down from a panic attack, long heavy cloaks, cold hands, disillusioned with the world, insomnia, unhealthy habits, sighs made visible by cold night air, strong hugs, never sleeps, loud music, freckles, dark under-eyes.

Maglor — hypnotising smiles, a broken mind, melancholy, driving through mountains and the woods, iced coffee, the faint feeling of raindrops on your cheeks, ripped jeans, tight hugs, whispered compliments, deep conversations, late night texts, nimble hands, thin blades, white lilies, vertigo, unkept journals, lightning and thunder, rhythms so raw the heartbreak is showing, shattered glass, walking alone on a cold night, silver necklaces, regret.

Celegorm — bright eyes, climbing rock formations, cold-hearted, hard breathing after running, wood cabins, gladiator arenas, wicked smiles, twisted branches, wild hair, growing more and more dangerous, night drives, adrenaline rushes, bruises, bloody cloaks, running from society, breathless laughing, that animalistic unpredictability, silver and leather bracelets, strong coffee after a sleepless night, city lights from a high rise, addiction, barking dogs, hurricanes.

Caranthir — ironic smirks, bitten nails painted black, lightning in summer, empty threats, sunglasses hiding dead eyes, thick chain jewellery, temperamental, goes to car races just to watch the crashes, deep glares, tongue/lip piercings, midnight walks, lightbulbs burning out, diamonds, crushed ice, a glint of cat eyes in the dark, gold coins in storm drains, cold hands, storm clouds rolling in, theatres, suppressed emotions, wrought iron gates, motorcycles. 

Curufin — cherries and Diet Coke, white marble, a studio apartment on the 67th floor, tattoos, neon lights, sweetened coffee, smudged makeup, too-loud music, cursive notes written in red ink, veiny forearms, sharp canines, fresh snowfall, high rise buildings, white light, sheer robes with nothing underneath, fog, stained glass windows, colourful hair, slow heartbeats, long-forgotten love, cold mountaintops, eternal silence.

Amrod — burnished copper, feverish eyes, hues of orange and gold, stars and spades, brewing tea, freckles, hardwood floors, poisonous flowers, listens to Hozier, messy hair, fake circle glasses, bullet point notes on a restaurant napkin, comfortable silence, broken wings on insects, old hungers, the whispering of trees, kicking stones on deserted paths, forgotten places, origami stars, old overgrown stone castles, morning mist, horse riding.

Amras  —  misplaced keys, wandering aimlessly, selectively mute, deep lakes hiding secrets, pine trees, restless nights, misunderstood, reliving the same day over and over again, graphic tees, dead moths, visual mind, muffled screams into a pillow, listens to asmr, doc martens, profanity, burned cigarettes, zoning out often, heart fluttering nervously, confusing satellites for stars, comic filled bookshelves, radios, old jeeps, glowing keyboards.

Celebrimbor — ravens, white-hot metal, the darkest shade of black, glittering skin, low waist pants, stars falling, the heat lingering in the evening, petals falling off dead flowers, trusting the wrong people, blue veins, cobblestone paths, linoleum tiles, bruises/scars easily, the heat lingering in the evening, cities awake late, card games, overanalysing everything, shiny fabrics, the slamming of a shot glass, the sting of betrayal.

[sabertoothwalrus]

OK PREFACING WITH IM SORRY IF I ALREADY SENT THIS EXACT ASK BUT MY WIFI KILLED ITSSLF AS I SENT IT SO IDK IF IT ACTUALLY WENT THROUGH. but in case it didn’t . i know youve gotten this countless times in the past because i blog stalked just in case youve mentioned something similar before but i need to know if you have any specific inspirations when you draw exaggerated expressions specifically like these two images of marcille. ive actually cried laughing over this comic and being able to communicate this type of visceral emotion is such an insane skill and ive followed your art for probably close to a decade through various fandoms so watching you develop this style has been fucking awesome and epic. like i cannot articulate how funny these are to me i just need you to understand i look at this comic to inspire me to draw now. the closest comparison i can draw to the feelings they evoke are like those mspaint reaction images and also mspaint tails i included for reference even though you probably know exactly what im talking about anyways but its actually so much harder to do that intentionally when you study art. also i lied you literally don’t even need to answer this i just had to let you know how obsessed i am over your silly comics and now ive written out a whole ass discussion post about it. im sorry if this is weird at all i think my daily prescribed amphetamines r wearing off and i know this is such a dumb specific thing to fixate on and im so sorry if its not something you want to hear about your art. ive just always seen that as an artist this type of expressive stupid silly style is something that comes after a significant amount of time and practice and study and style development despite being “simple” in theory. its just so cool to have worked with your own style so much that youre able to go “off model” from it and still maintain consistency with the rest of the piece. i said it already and im sorry this is actually rendundant now but the ability to communicate such raw emotion somehow decreases from at its height when someone is a beginner artist learning how to proportion and keep a steady line and what looks “normal” but somehow it all comes full circle because taking all that experience and using it to almost return to where you started but in a fully informed and intentional way so you can make choices to draw characters like this when the situation calls for it is just dhcidogakgoshfhw. i think i need to cut myself off or im going to talk in circles im sorry tumblr user sabertoothwalrus i just am fascinated by your style and progress and the years you’ve dedicated to art can be seen in so many places but this is just one that stands out to me specifically.

MMMMM what a fun question!!!

I'm not gonna lie, I think it's just Letting A Drawing Be Bad. I definitely think the people that struggle with this the most are people who have genuinely very pretty art styles, to the point of being kind of perfectionist about it. and to Draw Funny often means Drawing Fast and Weird. Pretty is kind of the antithesis of funny (unless being pretty is the punchline). do drawings that make yourself laugh. tracing/lining funny sketches almost always makes them less funny.

one of my favorite types of humor is when it skews more deadpan, actually. This is one of the reasons I love Adventure Time. minimal expressions and flat line delivery + absurd context is a really good combo. the key to comedy has more to do with contrast! if your drawings are allllll crazy ren & stimpy all the time, they're not funny anymore cause it's just "normal". if it's all subdued UNTIL it's extreme, and vice versa, then it's funny. The reason this comic is so funny is because of the complete lack of any expression. I feel like the one you sent of Marcille shouting "WHAT" is funnier when you know how much she tries to be dainty and feminine and delicate, how much she values her appearance, and how averse she is to "gross" or "weird" things.

something I find really annoying (and this is with comics/animation in general, not the expressions themselves) is when the joke goes on for too long. Like you'll have the joke, then the punchline, and THEN the characters reacting to the punchline??? Like the author didn't trust that their audience would find the joke funny, so they basically drew in a laugh track. But, this is distinct from a character's reaction being the punchline (like how the examples you gave from my Marcille comic are). MY POINT IS sometimes expressions aren't as funny on their own as you think, and context can affect how you feel about it!

as far as inspirations go!

my own face! even if I don't have a mirror, I like making the expressions myself so I can "feel" where the points of tension on my face are, and it gives me a sense of what to exaggerate.

my brother's art, believe it or not! we've been trying to make each other laugh with our drawings since we were kids, and he's really good at it.

ATLA has some great expressions

OK KO has been a reallyyyy good source for me lately. That show is so tailored to my sense of humor and the expressions and line deliveries feel exactly like the kinds of things I'd come up with. The tone, timing, and art style are all really close to the tv show pitch I'm working on, so when I feel like I've "strayed" too much from it (like after drawing a bunch of dungeon meshi, and my art feels tighter and... idk "manga-ier"?) I like to go and watch a couple episodes of OK KO to loosen back up

A lot of things like OG Spongebob, Calvin & Hobbes, the Simpsons, Chowder, etc etc

memes in general. if it makes you laugh, keep it in mind

and lastly, I wouldn't say I ever try to mimic funny expressions I see. Like if I watch a show for inspo, I'm not pausing it to copy specific drawings, I'm just trying to notice patterns and pay attention to what about it I find funny.

talking about being funny is really bizarre and I dunno if it makes it lose some of the magic. Ultimately it's something you can't think about too much, and just gotta go with your gut.

[serpentarius]

the Big Fight Scene between Louis and Armand in S2E5 felt like watching live theatre.

it’s in the way the dialogue is written, in the way it flows. you can hear and feel it in both actors' delivery—particularly in Assad's, which isn't surprising given his extensive theatre background.

it's in the cinematography; there are minimal cuts or edits which make for a relatively uninterrupted flow. we’re just in this one room with two characters (well, technically three, but Daniel is unconscious at this point), and it's reminiscent of the duality of live performance; how theatre actors perform in front of an audience but often speak and react as though they are in their own bubble, their own little world. it's unfiltered and intensely vulnerable, even in its performativity.

there's a disquieting sort of intimacy to it. they're talking, yelling over each other as two people arguing in real life might. there's so much raw rage, frustration, and emotion.

there’s no music, no score to accompany the scene in the background, which makes it all the more confronting and vicious and, at times, even uncomfortably comical.

there are so many moments in IWTV where you can tell it’s written by brilliant playwrights, and this scene is the perfect exemplification of that. I loved it so much, and brb gonna study this scene for the rest of my life

[something-wild-calls]

After trying to draw out two different comics to act as the next part and not feeling it.... I've decided the best bet is to just use the written out chapter I'd had planned already. XD

In the end I went with a combo. Part writing, part comic~

Previous

WARNING: This part contains visuals and mention of blood and injury.

~ ~ ~

She met his eyes.

Wide. Fearful. Pools of green that were haunted with all he'd been through in the last several minutes. Fresh bruises and scrapes marred his face, but still he didn't turn his attention from her.

"A... dragon..." His voice was breathless. "Y-you're... a dragon..." A new light shone in his green eyes. A mix of emotions that she couldn't quite place. "An actual dragon.... I can't believe it..."

Slowly the dragon stepped toward. Sure that his arms were bound behind him, she leaned her face close to his, causing him to jolt back in shock.

She couldn't help but relish the fear that washed off of him.

She studied his frightened face, framed in long, tangled hair that was escaping it's tie to drape scattered over his shoulders. He was muttering something, but her own thoughts bullied his words out of sticking in her mind.

That face...

His face....

It wasn't him.

She knew it wasn't.

But... there was no denying the closeness of them...

No denying the fury it brought to her...

Suddenly her thoughts were snapped into silence by a new voice.

The dragon watched him unflinchingly.

She admired the dedication this werewolf had for his little companion, but seeing the state he was in--shivering from effort and the wear of what had befallen him, and the faint hint of fear he desperately tried to conceal from her--she couldn't help feeling that the little creature would be more effective at protecting herself than anything he could do at the moment.

She snorted, trying to take on a more neutral look. Meeting the wolf's blazing green eyes, she spoke. To him.

"I can break the ropes binding you. But you are not welcome in my home.”

The golden mane down his neck spiked at the shock of her addressing him. But just as quickly his expression softened, and he lowered his gaze in thought.

But Pari bristled in turn. "You're really just gonna leave him like this??"

Before the dragon could respond, Cody turned to the little creature. "Pari..." He transformed back to his human form, his eyes accepting as they fixed onto his companion's anxious gaze. "If she would feel endangered by us going to her home, then so be it. We can find help elsewhere."

He turned back to the dragon and nodded in thanks. "I'd appreciate the unbinding, thank you...."

And so she approached him, cautious should anything happen. But as she carefully placed her sharp claws on the tightly tied ropes binding his raw, reddened wrists, the only opposition was the helplessly defeated glare of Pari.

After a moment, the ropes snapped, finally freeing the boy of his torment. He fell forward with a pained gasp, catching himself with stiff arms. The dragon walked back to stand in front of him as he attempted to stretch the ordeal out of them.

“Thank you for helping us this much, Dragon... Even if we can't rest with you, it was nice to see you, at least!" He smiled warmly, a light of deep admiration in his eyes.

The dragon hardened her own icy gaze and nodded in acknowledgement, ignoring Pari's final silent plea with a pang of regret she kept to herself.

Shakily Cody began to stand, but as soon as his left foot bore weight, he stumbled with a cry. Tense and groaning, he looked at it. His face went pale at the sight of his shoe, heavily coated with spatters of his own blood.

And promptly, he fell to his side, passed out.

~ ~ ~ ~ ~

Previous

[mewtwoandme]

Scrolling through my dash seeing people's reactions knowing I was coming up on the finalie was an experience... The whole thing rocks! You drew the gore really well, and the emotion even better. That last close up is so raw.

I really tried to do the flashback comics justice because it's one of my most intense by far, both visually and emotionally. I put everything into it. I sometimes berate myself for taking too long or being too slow on a project but honestly, for this, I doubt it would've been as impactful if I had rushed it. So I'll cut myself some slack this time XD